Please continue to respect all commenters and create constructive debates. season 2 returns on the 24th of May, see you soon ❤️ https://t.co/W8iyr1yDjI pic.twitter.com/VBR9zzEJRM. As stations like No Signal and Pie Radio continue to dominate the airwaves across the UK, Tobi Kyeremateng looks back at the modern history of black audio, Find your bookmarks in your Independent Premium section, under my profile. In Nottingham 1988, Heatwave Community Radio (HCR) operated from the back of a bakery in a notorious part of the city that was a no-go zone for local authorities. No Signal Radio saw huge success due to its flagship radio show #NS10v10, drawing in over a million listeners in the first three months of its life … Sign in Create account. Stream #NS10v10: Season 1, a playlist by No Signal from desktop or your mobile device. Today, when you hear that title, Elvis Presley is the first person that comes to mind. The timeline is scattered with nonsensical exclamations and one-liners that only make sense to those in the know. One station in particular that transformed the pirate radio scene was KISS FM, launched as a pirate radio station in 1985. NS10v10 is No Signal’s sound clash series, putting classic tracks from two popular artists against each other – the latest pair being Rihanna and Drake. It had all the right ingredients. From Leeds to Bristol and beyond, the station currently in everyone’s mouths is No Signal Radio, a London-based grassroots station that launched in March 2020 as an extended limb of nightlife party, RECESS. Online station No Signal and its flagship show NS10v10 have become social media sensations – and are bringing black communities together during coronavirus and protests HCR became one of the few stations in the East Midlands catering to Black listenership and often collaborated with The Marcus Garvey Centre on events hosted by HCR selectors. It went down a storm. The series has been going for a while, with Burna Boy taking on Popcaan, Lil Wayne going against Rick Ross, and Vybz Kartel clashing WizKid in recent weeks. The reach of No Signal across all platforms is just too great for that. 3 Ohio State and No. Now, we want to make that home permanent. That’s how they funded themselves.”. Walt Disney Co. reported fiscal fourth-quarter loss on Thursday thanks largely to changes related to the COVID-19 pandemic.Its earnings were dragged by costs from restructuring related to its streaming services and lost revenue from its California theme parks, which remain closed amid surging coronavirus cases in the U.S.Before the pandemic, Disney's profit soared as its wide array of media and entertainment offerings, from Marvel theatrical releases to Disney cruises, outperformed. But what does the sound of the underground look like today? But social media gives black creatives the opportunity to have their hands in the production and distribution of their ideas. You can also choose to be emailed when someone replies to your comment. DBC is known to be the UK’s first Black-owned pirate radio station. For No Signal, Jojo and his brother David feature as the main MCs from their home in Essex, with DJ and presenter Henrie Kwushue working as head of production and contributions from Jameela, Lillian, Bola, Scully and VI. Want an ad-free experience?Subscribe to Independent Premium. It reaches us across the globe and continues to be the pacesetter of the music industry. The exact numbers have been crunched for us below, giving us an indication of just how far and wide the No Signal reach was last night. They were at the forefront of the knowledge of what the kids on the street wanted to hear.” Radio veterans like Jones started out on platforms such as Station FM, founded in 1991 by DJ Keithley, and witnessed the growth of other stations like KISS FM first-hand. No matter where in the black diaspora you are from, there is an artist to rep and a reason to tune in. Voice of Africa Radio (VOAR) was set up in 2000 in Newham and served as a popular pirate station for advertising local African businesses and receiving a diverse listenership across the African diaspora. Over the past few weeks you might have spotted the hashtag #NS10v10 on social media. It’s clear that creators who not only listen to their audience but openly celebrate them, are reaping the rewards of their authenticity. J Hus v Kojo Funds, Beyoncé v Mariah Carey and Akon v T-Pain are just a few of the iconic battles we’ve witnessed so far. As the world stands still and independent media struggles to get by, NS10v10 is an addictive soundclash for us, by us, which is doing big numbers. In case you didn’t know it already, we’re in week eight of the coronavirus lockdown in the UK, and with the recent news that Britain has the highest coronavirus death rate in Europe, it’s not looking like we’ll be DLT brunching anytime soon. Pirate radio as we know it has sat in the bones of the underground since the 1930s and the “illegal” audio movement quickly made its way across the globe, from Radio Luxembourg and Radio Nova in Europe, through to stations like Wah Gwan Radio, Vybez Up Radio, and the many pirate radio stations still running from the roofs of churches and apartments in Brooklyn, New York, as documented in the Brooklyn Pirate Radio Map by producer David Goren.

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